Státní příslušnostSpojené státy americké, Chile, Panama
JazykyŠpanělština (Mateřský jazyk), Angličtina (plynně), Angličtina - americká (plynně), Angličtina - britská (základy), Němčina (základy), italština (základy)
Narozen/a1982, Panama, Panama
Herecký věk37 - 47
Výška185 cm
Etnické typyLatino / Hispánský, Multietnický
Místo pobytuBerlin - Berlín (Německo), Florida (Spojené státy americké), Berlin - Berlín (Německo)
Možnost bydleníSantiago (Chile), Panama (Panama), Munich - Bavorsko (Německo), Madrid - Madrid (Španělsko)
Pracovní povoleníEuropean Union, United States
Alternativní kontaktní údaje:
Jazyky Španělština (Mateřský jazyk), Angličtina (plynně), Angličtina - americká (plynně), Angličtina - britská (základy), Němčina (základy), italština (základy)
Dialekty Southern - American (Rodné nářečí), Standard American (plynně)
Přízvuky Jihoamerický (Rodný přízvuk), Karibik (Rodný přízvuk), Latinskoamerický (Rodný přízvuk), Španělský (Rodný přízvuk), Anglický (velmi dobře), Mexický (velmi dobře), Americký (dobře), Argentinský (dobře)
Tanec Bachata (velmi dobře), Butoh (Japonsko) (velmi dobře), Choreografie (velmi dobře), Latinskoamerické tance (velmi dobře), Merengue (velmi dobře), Salsa (velmi dobře), Taneční divadlo (velmi dobře), Taneční improvizace (velmi dobře), Taneční trénink (velmi dobře), Afro (dobře), Balet (dobře), Cha Cha Cha (dobře), Dancehall (dobře), Disco (dobře), Forró (dobře), Freestyle (dobře), Rumba (dobře), Současný africký tanec (dobře), Tradiční africký tanec (dobře), Capoeira (základy), Městský tanec (základy), Samba (základy), Street Dance (základy), Swingový tanec (základy)
Tón hlasu / dabingový hlas Baryton
Hudební nástroje Cajón (velmi dobře), Africké bubny (dobře), Bicí nástroje (dobře), Flétna (dobře), Bicí nástroje (základy), Bonga (základy), Charango (základy), Kytara (základy)
Sporty Aerobik (velmi dobře), Jóga (velmi dobře), Karate (velmi dobře), Kulečník (velmi dobře), Plavání (velmi dobře), Tai Chi (velmi dobře), Tai Chi Chuan (velmi dobře), Basketbal (dobře), Bojová umění (dobře), Bowling (dobře), Boxování (dobře), Cyklistika (dobře), Horské kolo (dobře), Jogging (dobře), Motocykl (dobře), Pilates (dobře), Rafting (dobře), Vodní lyžování (dobře), Volejbal (dobře), Šerm (dobře), Bruslení na ledě (základy), DL - Defense Lab / DNA Fight Science System (základy), Fitness (základy), Kajak (základy), Stolní tenis (základy), Tenis (základy), Zátěže (základy)
Řidičské průkazy Řidičský průkaz auto
Další dovednosti Učitel tance
Herecký věk 37 - 47
Výška 185 cm
Typ postavy atletická
Hmotnost 80 kg
Barva očí hnědá
Barva vlasů hnědá
Účes středně dlouhé kudrnaté vlasy
Vousy Vousy
Dvojče Ne
Etnické typy Latino / Hispánský, Multietnický
Tetování Ano, není viditelné
Piercing Žádný
Brýle Ne
Jizvy Žádné
Andres Garcia
Režie
Člen ansáblu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monolog
Drama, Monolog
Malucha Pinto
Režie
Hlavní role
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režie
Vedlejší role
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režie
Vedlejší role
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režie
Hlavní role
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režie
Juan José
Hlavní role
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režie
Lina
Stálá hlavní role
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režie
Hlavní role
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režie
Ivanov
Hlavní role
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režie
stálá role
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Režie
Armando
Vedlejší role
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Krátký film
Antonia Renard
Režie
Josué
Hlavní role
Nicolás Acuña
Režie
Antonio
Epizodní role
Matthias Glasner
Režie
Aguti
Vedlejší role
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Krátký film
Antonia Renard
Režie
Josué
Hlavní role
Gonzalo Diaz
Režie
Armando
Vedlejší role
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monolog
Drama, Monolog
Malucha Pinto
Režie
Hlavní role
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Režie
Vedlejší role
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Režie
Vedlejší role
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Režie
Hlavní role
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Režie
Juan José
Hlavní role
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Režie
Lina
Stálá hlavní role
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Režie
Hlavní role
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Režie
Ivanov
Hlavní role
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Režie
stálá role
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Režie
Člen ansáblu
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Antonia Renard
Režie
Vedlejší hlavní role